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Want to add some metal and ink to people in your family, well read this: Press SHIFT+M and cycle through the marquee tools until you come to the circle (alright, elliptical marquee tool) . Once that's selected, you'll see some options at the top of the canvas. In the drop down list next to Style, choose 'Fixed Aspect Ratio'. This of course gives us a perfectly round circle selection every time. Go ahead and drag one out now. Not too big, though. Good. Now we need to go Select->Modify->Border. A screen pops up asking you how many pixels wide you want it to be. I put 3 here. Now we need to put something in it. Stop! Before we fill it with color, we have to make a new layer (CRTL+SHIFT+N). Now press SHIFT +F5 to bring up the Fill screen, and from the drop down menu choose '50% grey'. We don't need the selection now, so CRTL+D to deselect. Now a round circle isn't going to be very realistic. What we need to do now is distort it a bit. Press CRTL+T to enter transform mode, then right-click and choose 'Distort' from the menu. Now play around moving the handlebars around the square. Good. We could now just take the eraser tool and get rid of that bit in the middle. A better way, though, is to use a mask. At hte bottom of the layers panel you'll see a little grey rectangle with a white circle in it. Click it and our layer gets a brother. The foreground/background colors also change to black and white. Now if we paint black, it will take away the ring, and if we then paint white, it will bring back what we painted black. Just to the left of the mask icon on the layers panel, you will see as well the Layer Style icon. Click it now and from the list that springs down, choose 'Bevel and Emboss'. This is pops up another screen with lots of options on it. We don't need to change anything for now, though. You will also see that our ring is updated in real time, so we can see the results straight away. To give it more highlights and make it shinier, hit the 'Gloss Contour' box. Another screen pops up where you can alter the mapping. Just click and drag the black line until it is like the example. Photo retouching is sometimes quite important to your photo. You can change your photo to black and white, take out some unwanted acne, fix a blurry line. Well, here are some instructions on how to sharpen your image. Start by opening your image Duplicate the background layer by pressing control+j. Press shift+control+u to desaturate the layer. Go to filter>others>high pass and give these values, Radius of 0.4 pixels. Press control+l to open levels. Fianlly, change this layer's mode from normal to overlay. If you find excessive shaprening then reduce the opacity of this layer. You now have more sharpe image and it works on almost any image. Brightness/Contrast is a super important technique in photo manipulation. You can alter the complete mood of photos with brightness and contrast. I will demonstrate how. First get a picture of anything in the world you want. ANYTHING! Now go to Image> Apply Image and apply your image on a new layer. Then go to Image> Adjustments> Brightness/Contrast. Then mess around with the settings. I tend to make the lower the brightness and raise the contrast. But see what is best for your picture. After applying Brightness/Contrast/ Do you see the changes? I sure do. I completely changed the mood of the picture with Brightness/Contrast. So as you can tell this is a very important and helpful piece of Photo manipulation. Open the JavaScript Reference Guide and click the ArtLayer bookmark to the left in Adobe Reader, now you can first se all properties available for ordinary layers and after that is all the methods available for it. Hello worldNow it's time to try your wings by creating and running your first script for Photoshop. As always the first program you create in a new programming language should always output the Hello world sentence. To install a script you simply copy it to Photoshop's scripts folder which in windows is located in: c:Program FilesAdobePhotoshop CS2PresetsScripts Before you can use it from Photoshop you have to quit Photoshop and restart it. Once you have done this the script is available under File > Scripts Open up a new 5x5 pixel image with a transparent packground. Select your Pencil Tool and set it to 1 pixel. Set your foreground color to black. Now draw something like a plus sign on your image (You might have to zoom in on your image). Define the pattern by going to Edit > Define Pattern. Now open up the image you are going to be applying the grid to. Now grab your Paint Bucket Tool and in the options bar (Window > Options), change the Fill to Pattern. Next to Fill option you will see the Pattern Option. Find your pattern in there and then create a new layer. Use your Paint Bucket Tool on the layer you just created. In the Layers Palette, adjust the opacity to lighten or darken the grid. As with many applications, working in Photoshop can be made far easier and more efficient by using keyboard shortcuts.Ctrl/Cmd + Shift + N New layer Ctrl/Cmd + J Duplicate current layeR. Here are a few useful shortcuts: Ctrl/Cmd + [ Move layer downwards Ctrl/Cmd + ] Move layer upwards Ctrl/Cmd + E Merge linked layers Ctrl/Cmd + Shift + E Merge visible layers Ctrl/Cmd + A Select all Ctrl/Cmd + D Deselect Ctrl/Cmd + L Levels Ctrl/Cmd + Shift + L Auto levels Ctrl/Cmd + Shift + Alt + L Auto contrast Ctrl/Cmd + M Curves Ctrl/Cmd + I Invert colours Ctrl/Cmd + Z Undo Ctrl/Cmd + Alt + Z Step back in history Ctrl/Cmd + F Apply last used filter Ctrl/Cmd + Shift + X Liquify tool Ctrl/Cmd + Alt + Shift + X Pattern tool A way to make a whole pallette from the three colors is not extremely difficult. Open a new canvas, does not really matter the size, but keep it no smaller than 468x60. Click on the gradiant tool on the left tool bar. Go into the Gradient Editor, by clicking on the colored gradient on the top toolbar. Place the darkest of the three colors on one side, the lightest on the other, and the midtone in the middle. Keep the opacity at 100%. Press Ok, then click-drag a horizontal line across the canvas. You can use the eyedrop tool to take the color from this canvas and color the skin of your project. Now that we have a pallete of color, we have to understand the effects of lighting on skin. It's a very simple concept, but understanding it is necessart to shading skin. As any matter, the brighter the light, the lighter the highlight and the darker the shadow. The dimmer the light, the difference between the light and the shadow decreases. The shadow cast by it is also affected by the light and darkness. The color of light affects it in the same way. If the light is green, it will have a green tint to the skin. If it is a small light, such as a lamp, a smaller portion of the skin will be that color, instead of affecting the whole skin. As stated before, most matter is affected the same way as this.
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